Selasa, 14 Februari 2017

Free Ebook , by Darrell Young

Free Ebook , by Darrell Young

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, by Darrell Young

Product details

File Size: 68737 KB

Print Length: 627 pages

Publisher: Rocky Nook (April 2, 2018)

Publication Date: April 2, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07BWC4NRQ

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I purchased my OM-D E-M1 Mark II in November, 2017. Being new to mirrorless, being my first Olympus and discovering how complicated the EM-1 MII is I checked to see if Darrell Young had written an instruction book for it. I was familiar with his books having purchased several of his Nikon Camera books in the past 15 years before I sold all Nikon gear and switched entirely to the OM-D E-M1 Mark II. His books have always been the most thorough and easiest to understand of any I’ve found. At that time he had not completed the Em1 Mark II book.While waiting for Darrell’s book I looked for other sources. I found many. Some good to very good but incomplete or unclear in their instructions. Some were not so good or just plain wrong in the information they gave. Using the better ones and by my own trial and error I gradually learned more about using this camera. I got to the point where I could set it up and take decent photos but sometimes got lost in the menu system and had to do a complete reset of the camera to where it was when it came out of the factory. A couple of times I even confused the camera enough to cause it to freeze up. Actually, not a freeze-up. I just didn’t know how to get from where I was to where I wanted to go and what I wanted to do. (Reset again!)Even with all my looking I came up with questions I could not find answers for. First thing I did after finally receiving Darrell’s book was look for those answers and I found them. Darrell’s book is 600 pages. It has to be that long to be complete. The camera is a computer and Like a computer system there is usually more than one way to do what you are wanting to do. Remember that just because the camera will do it and the book tells you how it doesn’t necessarily mean you will want to be able to do it on your camera. You will eventually get to where you have the camera set up the way you want it. Darrell’s book makes that much easier.I also recommend the Kindle version of this book. It can be saved to your cell phone and when in the field if a question comes up you can find an answer. The Kindle version of the book can also be saved to your desktop computer using the Kindle app. I would suggest you also read the review by Mr. Conrad J. Obregon.I’ve found that low ratings of books about this camera often come from those who don’t have the experience needed to operate a camera as complicated as this one.

Took Forever Darrell, What Kept Ya?? (LOL)Again, another "Long Awaited" book penned by non other than Darrell Young, "The Master of The Light and the equipment we use to capture it!" I just received this book, 14 months after ordering it! OMG, I almost gave up on it ever being published but I am very thankful I hung in there. To early for a full detailed review but if Darrell took this long to complete it, I am sure he covered every detail possible for the use of a very complex camera. So complex, Olympus could learn from Darrell's skill, talents, his ability to use the American English Language to convey the use and functions of the OMD EM1 MkII... After a very fast brush through I can say that this book has been worth the wait and I will return to complete a detailed review of this very extensive Rendition. I anticipate that I will learn much, once again as I have in the past using his books, "Best Ever!"Thanks Darrell for getting this done, I Need It Badly... LOL!

This book is an incredible feat of technical information. Author really put his heart and soul into creating something of great value and depth. I have both the hard copy and the Kindle. The Kindle version is great because of all the hyperlinks.

Good resource . If you own and OMD EMI-II. You know how complex this camera can seem. The menus system is not only lengthy but also deep. Darrell provides an excellent navigation through the camera. It would take years to navigate and learn this camera completely, this book will help you get there fast. The book is well written, organized in a simple, logical manner and easy to understand. You have two options, fight with the sad Manuel from Olympus or jump start your process with this book. Highly recommend it

An excellent book for a complicated,extremely configurable camera.The topics are well organized and so it's an easy reference book.I've had the camera over a year and am learning about features I was not aware of.In summary kind of a treasure map to the camera settings.

I am a first-time Olympus owner, and have a Pen-F rather than an E-M1 Mark II. My hopes were that the book would focus on camera firmware menus, that the menus of both cameras would be similar, and that because of the book’s recent release (June 8, 2018) it would reasonably reflect the current firmware. These hopes were realized and I am very happy I purchased the book.Before acquiring the Pen-F, I had heard that Olympus firmware menus could be a bit challenging, and instruction manuals (whatever the manufacturer) can be somewhat cryptic. Here, both proved true. I cannot really fault the Pen-F instruction manual – it’s 188 pages and covers the camera and menus reasonably adequately. But although it led me through the menus, it often left me wondering how the selections would impact actual shooting and photographs. At 618 pages (including the Table of Contents and Control Location Reference at the front of the book), Mr. Young’s book bridges this gap. In doing so, it includes many color figures and settings recommendations. I can honestly say it has been of material assistance, providing me sufficient grounding in the menus to take the next step – out to the field for practice, practice, practice . . .

If you really want to get to know your EM-I Mark II you NEED this book. It will take you through all of the hundreds of menu choices with easy to understand explanations. I didn't give it 5 stars because some of the pictures in the book are a bit too small and sometimes hard to see. The book is a veritable encyclopedia of the EM-I Mark II. It will answer any and all questions regarding the operating system of this fantastic camera.

The definitive work on the Olympus EM 1Mkii. The text, illustrations very well laid out. This is the one.

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Senin, 13 Februari 2017

Get Free Ebook Novel Immunotherapeutic Approaches to the Treatment of Cancer: Drug Development and Clinical Application

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Novel Immunotherapeutic Approaches to the Treatment of Cancer: Drug Development and Clinical Application

Novel Immunotherapeutic Approaches to the Treatment of Cancer: Drug Development and Clinical Application


Novel Immunotherapeutic Approaches to the Treatment of Cancer: Drug Development and Clinical Application


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Novel Immunotherapeutic Approaches to the Treatment of Cancer: Drug Development and Clinical Application

From the Back Cover

Cancer care is undergoing a radical transformation as novel technologies are directed toward new treatments and personalized medicine. The most dramatic advances in the treatment of cancer have come from therapeutics that augment the immune response to tumors. The immune checkpoint inhibitors are the best-known and most highly advanced examples of Immune Therapeutics targeting tumor cells and include approved antibody drugs directed at the cell surface proteins CTLA4 and PD-1. These are now considered foundational treatments for several solid tumor indications, and that list of indications is growing quickly. More broadly, antibodies have become workhorse molecules across the entire immunotherapy landscape. Antibodies to novel targets modulate the activity of diverse immune cell regulatory proteins. Engineered antibodies can induce tumor cell death or expose tumor cells to poisonous toxins (ADCC and ADC, respectively). Bi-specific antibodies can engage multiple tumor targets simultaneously, or can redirect lymphocytes to attack tumor cells. The antigen-binding domains within antibodies can be spliced onto cell stimulatory domains and transduced into T cells or NK cells, creating remarkable tumor-specific cellular therapeutics (CAR-T, CAR-NK). Beyond antibody-based therapies there are highly diverse and differentiated technology tool kits being applied to immunotherapy. Small molecule drugs are being developed to attack the tumor microenvironment, novel tumor vaccine approaches are showing great promise, patient lymphocytes are being isolated, expanded and reintroduced to patients, gene-editing techniques are becoming widely deployed, and a vast number of new tumor targets, and mutated tumor proteins (neoantigens), are being discovered. The past decade has seen unprecedented success in the treatment of diverse cancers. The authors of this volume have been asked to not only review progress to date, but importantly, to look ahead, and anticipate the evolution of cancer treatment across diverse Immune Therapeutic approaches. Our hypothesis is that the advances we are seeing across the immunotherapy landscape will further evolve and synergize, leading us finally to outright cures for many cancers. 

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About the Author

Paul D. Rennert, SugarCone Biotech LLC

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Product details

Hardcover: 276 pages

Publisher: Springer; 1st ed. 2016 edition (May 31, 2016)

Language: English

ISBN-10: 9783319298252

ISBN-13: 978-3319298252

ASIN: 3319298259

Product Dimensions:

6.1 x 0.7 x 9.2 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#3,638,261 in Books (See Top 100 in Books)

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Senin, 06 Februari 2017

Free Ebook Report from Calabria: A Season with the Carthusian Monks

Free Ebook Report from Calabria: A Season with the Carthusian Monks

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Report from Calabria: A Season with the Carthusian Monks

Report from Calabria: A Season with the Carthusian Monks


Report from Calabria: A Season with the Carthusian Monks


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Report from Calabria: A Season with the Carthusian Monks

Review

"I am very moved to be able to read about the Carthusian monks in Calabria. It is heartening to share even a day with those holy men. They make me so grateful for the vocation I was given, but their lives are even more meaningful for those living in the midst of modern pain. To see them in the pages of this book eating, working, and praying in silence and solitude is just amazing. They are basically attempting to find God within the human conditions most human. Through them we see so clearly that we find God by accepting our lives  as gifts from him and by appreciating our being born, in flesh and blood, in profound likeness to God himself, as fully revealed by the Second Person of the Trinity, who became man. The Report from Calabria could very well be a report from God himself telling us what we cry and anguish to know." --Mother Dolores Hart, O.S.B, Author of The Ear of the Heart "Report from Calabria is a beautiful book.  The author's short sketches capture the silent rhythms of worship and contemplation at the heart of Carthusian life and the humanity of hidden lives in the cloister. The photographs show a world that few people get to see.  Most importantly, this book points to the profundity of daring to enter a dialogue of silence with the heart of the Lord.  Each one of us invited to know the Lord in silence.  Report from Calabria is a guidebook to a beautiful place, and to the beauty of interior and silent communion with the Lord." --Most Rev. James D. Conley, S.T.L., Bishop of Lincoln, Nebraska "This book is a gem.  The Carthusians have long captivated the imagination of the Catholic world: by their austerity, their silence, their seclusion, and their mysteriousness. Although they will never say so themselves, they've lived up to their motto: 'Never reformed because never deformed.' This book is an honest and stunningly beautiful view of the inside life of a Charterhouse. Through these pages you can feel the cold of the cell, smell the pasta in the midday meal, and sense the profound reverence of the Carthusian liturgy. This book will make you want to pray." -- Most Rev. Michael C. Barber, S.J., Bishop of Oakland "The Carthusian life, typically so unknown and hidden, has found another privileged account. The anonymous priest-author enjoyed four months of full participation in Carthusian life in Calabria. The letters written during his monastic stay and collected here display an observant eye and sensitive insights for both external detail and for the rich depth of dedicated silence, solitude, and prayer that marks the Carthusian life. Anyone moved some years back by the extraordinary film Into the Great Silence will find in this book another fascinating appreciation for the daily self-giving of these hidden monks who live all for God." --Fr. Donald Haggerty, Author, Contemplative Provocationsand The Contemplative Hunger

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Product details

Paperback: 160 pages

Publisher: Ignatius Press (August 15, 2017)

Language: English

ISBN-10: 1621641309

ISBN-13: 978-1621641308

Product Dimensions:

7 x 0.4 x 9.9 inches

Shipping Weight: 14.6 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#489,252 in Books (See Top 100 in Books)

Anyone who has seen the documentary "Into Great Silence" will enjoy this book, too. The movie introduced me to the Carthusians and I have subsequently read a number of books by or about them. This is written by a priest as a journal - or rather letters - to his acquaintances. I enjoyed it. I wish he had more entries on the way they celebrate Mass and more about their contemplative lifestyle. Other than that I recommend the book and the photographs are very cool!

I liked every page of this book. The author described men who are truly extraordinarily ordinary, men of solitude who are seeking to encounter God in silence and are united with Jesus in His solitude in the desert. I would recommend this book to any souls who are drawn (aspire) to encounter God in solitude & silence.

A real glimpse in the life of the Carthusian Monks. It is good to know that there is such a place - where they accept outsiders, to just quiet yourself and your mind. To all people who are searching for peace and silence, get this book.

An easy read and very personable report of time spent at one of the oldest Charterhouses in Europe, about what one would expect out of a series of letters to family and friends. Particularly enjoyable are the many photos that accompany the text. The author chose to remain anonymous.

I appreciate the beautiful pictures as well as letters.

I was disappointed with this book because it gave a description of some of the exterior aspects of Carthusian life and said very little about the interior life of growth in the Spirit.

Great seller! The content was what I expected.

a beautiful book.

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Selasa, 31 Januari 2017

Download PDF The story Haggadah

Download PDF The story Haggadah

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The story Haggadah

Language Notes

Text: English, Hebrew

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Product details

Paperback: 83 pages

Publisher: Ktav Pub. House; First Edition edition (1990)

Language: English

ISBN-10: 0881252778

ISBN-13: 978-0881252774

Package Dimensions:

10.8 x 8.3 x 0.3 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,258,241 in Books (See Top 100 in Books)

We used this again this year and constantly find ourselves skipping around. We find ourselves pouring the wine, but never being told to actually drink it. The pictures are beautiful and the text is easily read by 3rd graders, but there are too many stories to choose from.

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Jumat, 13 Januari 2017

Free PDF Charles Taylor, Michael Polanyi and the Critique of Modernity: Pluralist and Emergentist Directions

Free PDF Charles Taylor, Michael Polanyi and the Critique of Modernity: Pluralist and Emergentist Directions

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Charles Taylor, Michael Polanyi and the Critique of Modernity: Pluralist and Emergentist Directions


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Charles Taylor, Michael Polanyi and the Critique of Modernity: Pluralist and Emergentist Directions

Review

“Charles Lowney has shown here the convergence between the critiques of modern narrow rationalism offered by Michael Polanyi, on one hand, and 20th Century phenomenology (which was my starting point), on the other. A lot of interesting insights become available when these and other critiques are brought into contact. We are all in Lowney's debt for his valuable contribution.” (Charles Taylor, McGill University, author of A Secular Age, Modern Social Imaginaries and Sources of the Self)“Readers of this collection will be well rewarded. There are two main paths to the task of critiquing modernity, the deconstructive and the reconstructive paths. The authors of the essays comprising this book have wisely chosen the latter, and they do so with clarity, thoroughness, and insight. Professor Lowney should be commended for putting this collection together, as well as for writing several of the essays himself. The various approaches to Michael Polanyi’s thought are especially welcomed.” (Jerry Gill, author of Deep Postmodernism: Whitehead, Wittgenstein, Merleau-Ponty and Polanyi, 2010) “A splendid combination of philosophical erudition and moral sensitivity, this work brings into conversation two of the most important philosophers of our time, Michael Polanyi and Charles Taylor. The substantive commentaries, comparisons, and criticisms gathered in this volume offer readers convincing alternatives to the intellectually dubious scientism and corrosive moral relativism of our secular age. Strongly recommended.” (John F. Haught, Georgetown University, author of The New Cosmic Story: Inside Our Awakening Universe , 2017) “Lowney and his collaborators show that Charles Taylor extends the work of Michael Polanyi and Marjorie Grene, constituting a powerful alternative form of modernity that avoids the dead end of C.P. Snow’s The Two Cultures. An important signpost on the road not (yet) taken.”  (Lawrence Cahoone, Holy Cross, author of The Orders of Nature (2014), The Dilemma of Modernity (1988), and The Ends of Philosophy: Pragmatism, Foundationalism and Postmodernism , 2002) “Modern times have tended to be dominated by a Cartesian model that is almost exclusively narrowly rationalistic/intellectualist and reductionist. Two prominent challenges to that view have come from Charles Taylor and Michael Polanyi. The time is surely ripe for a deeper engagement between the two and that this volume undoubtedly provides. Its contributors wrestle with the distinctive notions of each (such as Polanyi’s tacit knowledge and emergent being and Taylor’s authenticity and re-enchantment) to see how far a more integrated and inclusive alternative approach can be created.” (David Brown FBA is Emeritus Professor of Theology, Aesthetics and Culture at the University of St Andrews)   

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From the Back Cover

This book provides a timely, compelling, multidisciplinary critique of the largely tacit set of assumptions funding Modernity in the West.  A partnership between Michael Polanyi  and Charles Taylor's thought promises to cast the errors of the past in a new light, to graciously show how these errors can be amended, and to provide a specific cartography of how we can responsibly and meaningfully explore new possibilities for ethics, political society, and religion in a post-modern modernity.

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Product details

Paperback: 290 pages

Publisher: Palgrave Macmillan; Softcover reprint of the original 1st ed. 2017 edition (March 2, 2019)

Language: English

ISBN-10: 3319876651

ISBN-13: 978-3319876658

Product Dimensions:

6.1 x 9.2 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

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Amazon Best Sellers Rank:

#3,861,582 in Books (See Top 100 in Books)

What I liked most about this collection of essays and transcripts of discussions is the way the contributors develop a unifying theme in several different directions. One of the contributors is Charles Taylor, so that readers can get his view of the relations between his work and that of Michael Polanyi. The book is partially based on the 2014 annual meeting of The Polanyi Society, a meeting to which Charles Taylor was invited and in which he participated actively. I am a member of The Polanyi Society, but did not attend this meeting. The book is only partially based on the meeting because not all of the papers presented at the meeting found their way into the book, and because several of the chapters are not based on presentations at the meeting. This is not a criticism of either the book or its editor, Charles Lowney.What I liked least about the book is the omission of any serious discussion of the deep division in philosophy and social theory between those who affirm the reality of collective mental acts and states, and those who believe that all mental acts and states are personal. Harry Collins pointed out this division in Tacit and Explicit Knowledge (2010) as has Stephen Turner in Understanding the Tacit (Routledge Studies in Social and Political Thought)(2014). Athough Collins and Turner agree that this is a deep division, they stand on opposite sides of the rift.The Unifying ThemeThe unifying theme is the from-to structure of knowing and doing. Michael Polanyi called the from side of this relation “The Tacit Dimension” (2009 [1966]). The editor, Charles Lowney, entitled chapter one, his editorial introduction, “What a Better Epistemology Can Do for Moral Philosophy.” In chapter two, “Converging Roads Around Dilemmas of Modernity,” Charles Taylor spells out his answers to the questions implied by the title of chapter one. The first two subsections of chapter two, “Three Converging Roads” and “Knowledge as Personal Judgment,” give Taylor's answer to the question, "What is a better epistemology? The third subsection, “A Modern Moral Dilemma,” gives his answer to the question, "What can this better epistemology do for moral philosophy?"The three converging roads are those created by: (1) Heidegger and Merleau-Ponty, (2) Wittgenstein and (3) Polanyi. They converge on a rejection of some aspects of the epistemology of René Descartes. Taylor says that the first two roads move away from Descartes by way of Kant to what Merleau-Ponty called “the background.” “Michael,” he says (pp. 16-17), “got there by another route, by picking up on this basic feature of a distinction between the subsidiary and the focal – attending from something to something.” Taylor says that Marjorie Grene believed that people who were taking these converging roads would benefit from talking with one another. She, with the help of Edward Pols and Polanyi, organized a series of conferences for such people held between 1965 and 1970. In his introduction, Lowney (pp. 10-11, endnote 4) says that the list of participants included Hilary Putnam, Alasdair MacIntyre, Richard and Amélie Rorty, Iris Murdock, Rom Harré, Jerry Fodor, William Poteat, E.P. Wigner, Ilya Prigogine, Sigmund Koch, Lon Fuller, Jean Piaget and Hubert Dreyfus. Taylor (p. 18) says of these conferences: “It was fantastic and we had the experience where you begin to see this idea that is much wider than your own particular approach, and then you leave much more rich and ramified, and that was tremendously helpful” (p. 18).In the second subsection of chapter two, “Knowledge as Personal Judgment,” Taylor discusses how Polanyi’s notion of acts of judging proceed from the tacit background to a focus on the truth or falsity of a statement. He contrasts this with the impersonal processes of machines, even the “smartest” ones.In the last subsection, “A Modern Moral Dilemma,” he argues that moral judgments and decisions also have this from-to structure: "So we have here the structure of reason that I attributed to Michael earlier on in his scientific view. That is, we start off with a certain implicit understanding, and then it hits a snag, and then we revise it, and so on. We can see the same thing in terms of reason in the ethical-moral field. The conception of reasoning in this field cannot gainsay the importance of the starting intuitions" (p. 25). Taylor judges this to be Polanyi’s response to the tension between moral relativism and moral absolutism. People have very different backgrounds that are the source of different "starting intuitions." Thinking and acting from these leads to "snags" and subsequent revisions. The "better epistemology" must include an explicit recognition of the from-to structure of personal knowing. What it can do for moral philosophy is recognize and respect the diversity of the backgrounds from which people attend to their acts of judging and deciding, without slipping into nihilistic moral relativism.Taylor not only spells out the unifying theme of the book, but also brings out the prescriptive aspect of that theme. Descriptions and explanations of the from-to structure lead to a bit of advice: if you want a better epistemology, pay attention to the tacit dimension. This isn’t easy. It’s hard to pay attention to the from side because it includes many things from which I attend to something else. As soon as I focus on any one of the things that had been on the from side of a previous act, it ceases to be something on the from side and becomes that to which I’m now attending. Attending to the from side involves what Douglas Hofstadter calls “a strange loop” -- I Am a Strange Loop (2008). The word or phrase you use to point to the from side doesn’t make exploring the from side easier, whether you call it “the background,” “the tacit dimension,” “the standpoint,” “the framework” or, as Taylor sometimes did, “an imaginary.”By saying that the unifying theme of the book is prescriptive, I am generalizing something David James Stewart said in chapter six, “’Transcendence’ in A Secular Age and Enchanted (Un)Naturalism.” He focuses on Taylor’s A Secular Age (2007). Taylor, he says, brilliantly describes and explains the transition from an age of faith to a secular age, but he says that he just “can’t shake the feeling” that “there is an aspect of the narrative that can only be labeled as prescription” (p. 93). I generalize this by saying that all the chapters in this book have a prescriptive aspect. All the writers tell their readers that they ought to pay attention to the tacit dimension, that they ought to acknowledge that all of their acts of knowing and doing move from the tacit dimension to whatever it is they are focusing upon. This is at the heart of the “better epistemology” that can benefit moral philosophy.Chapter Two gives readers Charles Taylor's take on his relation to Polanyi, chapter three is based on a transcript of the discussion that followed Taylor's presentation at the conference, and chapter four is "The Projects of Michael Polanyi and Charles Taylor," by John Apczynski. Apczynski cautions readers against thinking of Taylor as a "disciple" of Polanyi. In terms of the three converging roads Taylor described, he travelled the roads created by Heidegger, Merleau-Ponty and Wittgenstein as well as the one created by Polanyi. Apczynski knows both Polanyi and Taylor very well, and his chapter is an excellent complement to Taylor's. He (p. 63) points out that one of the differences between the projects of Polanyi and Taylor is that Taylor said in A Catholic Modernity?: Charles Taylor's Marianist Award Lecture, with responses by William M. Shea, Rosemary Luling Haughton, George Marsden, and Jean Bethke Elshtain (1999) that his philosophy is informed by his Roman Catholic faith. As much as Polanyi appreciated religion, it was appreciation by a "respectful outsider" (p. 64). Apczynski notes Taylor's success in being able to communicate successfully with “secular age” academics who are not committed to any religion.One benefit that comes to moral philosophy from the better epistemology advocated by the contributors to this book is a better way of dealing with the tensions between moral relativism and moral absolutism. Few contemporary philosophers or social scientists are dogmatic moral absolutists, but most of us have come to recognize the self-defeating character of “absolute” moral relativism. Two chapters that focus on this issue are ten, “Taylor and Polanyi on Moral Sources and Social Systems,” by D.M. Yeager and twelve, “Epilogue: Robust Realism: Pluralist or Emergent,” by Lowney.Yeager says that Taylor corrects a weakness in Polanyi’s moral philosophy and that Polanyi corrects a weakness in Taylor’s. Polanyi fails to pay sufficient attention to the ways human appetites and self-interest generate conflicts and Taylor is so radically pluralist that he almost slips into moral relativism. Polanyi doesn't deny self-interest or the appetites, but is much more interested in spontaneous human cooperation. Taylor, in contrast, is deeply concerned about the disruptive effects of appetites and self-interest, and argues that these are things to be overcome: “only thus can they achieve cooperation” (p. 206). Yeager says that Polanyi’s commitment to transcendental values puts a limit on pluralism. His "notion of transcendent ideals provides him with a framework for evaluating alternatives and adjudicating (at least to some degree) conflicts among cultures” (p. 210).Lowney also thinks that Taylor's "pluralist" epistemology and ontology results in his being dangerously close to moral relativism, and argues that Polanyi's "emergentist" philosophy serves as a kind of protection against moral relativism. This conclusion is similar to Yeager's, but he focuses on a different dimension of Polanyi's thinking, and uses different language. Lowney's argument in this epilogue clarifies the subtitle of the book, "Pluralist and Emergentist Directions." Much of this chapter is a discussion of the book by Taylor and the late Hubert Dreyfus, Retrieving Realism (2015)."Imaginaries,” Individual or Collective?The word “imaginaries” appears first in Lowney’s introduction: "The thesis of this book is that the ideas of Charles Taylor and Michael Polanyi together can show the errors of the past, how those errors can be amended, and how we can move forward responsibly to explore new imaginaries that can provide us with meaningful and enriched ways of being and being together in a new modernity" (p. 2). Later on the same page he adds: “A large part of Taylor’s endeavor is to understand the ‘imaginaries’ of the past and current times.” But Taylor didn’t use “imaginary” or “imaginaries” to point to the tacit dimension in Sources of the Self: The Making of the Modern Identity(1989), and he and Hubert Dreyfus didn’t use these words in Retrieving Realism (2015). He did use them this way in Modern Social Imaginaries (Public Planet Books) and A Secular Age (2007). Taylor doesn't use "imaginary" or "imaginaries" in chapter two, Apczynski doesn't use them in chapter four, Lowney doesn't use them in chapter five, "Authenticity and the Reconciliation of Modernity, Stewart doesn't use them in chapter six, and Lowney doesn’t use them in his epilogue. All the chapters prescribe paying attention to the tacit dimension, but five out of twelve don't use “imaginary” to point to this dimension.There are, however, two chapters with "imaginary" in their titles: chapter seven, “Polanyi’s Revolutionary Imaginary,” by Jon Fennell and chapter eight, “Overcoming the Scientistic Imaginary,” by Lowney. “ In chapter eleven, based on a transcript of a discussion, Taylor says:"Fennell and Lowney seem to use "imaginary" for something I don't use it for, but I don't know why I don't -- there's good reason to use it their way just as well as mine. They use it for the unworked out, unarticulated background that makes sense of our view of the world. I prefer Foucault's famous expression "the unthought" for that, but this is not written in stone -- it is just the way I use it. And I use the word "imaginary" for collective unthoughts, if you like, so it seems that we are not far apart if we sort out that small difference" (p. 216).I can’t follow this very well. I understand that Taylor believes that Fennell and Lowney use “imaginary” for something he does not, but they are very careful to quote him in order to be sure that they do use “imaginary” in the same way that he does. Fennell (p. 122), for example, quotes from Modern Social Imaginaries (p. 28): "The background that makes sense of any given act is ... wide and deep. It doesn't include everything in our world, but the relevant sense-giving features can't be circumscribed; because of this, we can say that sense giving draws upon our whole world, that is, our sense of our whole predicament in time and space, among others and in history." This is just one of the quotations of Taylor by Fennell and Lowney that convince me that they do use “imaginaries” as he does, for the “unworked out, unarticulated background” by which we give sense both to things we perceive and to things others say.Then there’s Taylor’s claim that he prefers to use “the unthought.” In Modern Social Imaginaries, he did not use “the unthought” to refer to this background. He did, however, use it three years later, in A Secular Age (2007, 427): “Part of the intellectual problem here, and certainly much of the reason for the emotional reaction, is that there is an important ‘unthought’ (if I can use this Foucauldian term) which underpins much secularization theory.” I cannot see how the meaning of this would be changed if Taylor had written “… there is an important, unworked out, unarticulated background which underpins much secularization theory.”What I do follow quite well is that Taylor wants to use “social imaginary” for something collective. In an earlier discussion, in response to Yeager’s request for a clarification of “imaginary,” he says: “An imaginary is not a theory and a social imaginary is a shared imaginary of our society – the index of social is there twice (p. 48). He seems to imply, without explicitly saying it, that Fennell and Lowney use “imaginary” to point to something that’s individual, rather than collective. But then he says that the difference is really quite small.I agree with Collins and Turner that the difference between attributing an "imaginary" to a person and attributing it to a collectivity of persons is really quite large. It might be that Fennell and Lowney agree with Taylor that this is just a small difference. There’s no record in the printed transcript that either one of them responded to Taylor on this point. So the main thing that I don't like about this book is that the contributors to it do not recognize its importance. In spite of this, I like this book very much for the ways the contributors explore the implications of attending to what, with Polanyi, I prefer to call "the tacit dimension."

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Minggu, 18 Desember 2016

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Review

“The Ramones, David Letterman, Mystery Science Theater, Saturday Night Live: All impossible to imagine without the satire in Mad magazine. Comics historian Schelly has penned an exhaustive (and, yeah, exhausting) study of one of the most important humorists of the 20th century.” - Joe Gross, Austin American-Statesman“...Schelly approaches Kurtzman’s work, life and the surrounding sociopolitical context as an all-encompassing tableau. ... As a chronological survey of Kurtzman’s career, Schelly’s book is a comprehensive, informed endeavor, and will certainly fill many of the gaps in Kurtzman’s professional history.” - Akin Ajayi, Haaretz“Thoroughly researched…devoted fans will welcome this exhaustive study.” - Library Journal“This 642-page doorstop from award-winning comic-book historian Bill Schelly is a thorough, loving chronicle of Kurtzman’s life, struggles, art, and influence. I didn’t want to place it on the shelves alongside my beloved Mad and EC Comics archives. It made me want to take them off the shelves and sit on the floor surrounded by them, giving every page a fresh look.” - Mark Rahner, Seattle Weekly“I highly endorse and recommend Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor in America... Though 644 pages long, it reads like a breeze and I was sorry it was over when it was. It is scrupulously researched and filled with grand insights into its subject without forcing you into one particular interpretation.” - Mark Evanier, News from ME“Bill Schelly has done a solid piece of work. Informative and fun for comics fans who have long glorified Kurtzman... For the general public, the book is Kurtzman's long overdue induction into the pantheon of certified American comic geniuses. ... Schelly details Kurtzman's life honestly and wisely avoids exploiting the melodrama in the rise and sad, slow fall of Harvey Kurtzman...” - Paul Karasik, The Comics Journal“With this book, Schelly emerges as a first-rate comics historian, writer, and critic. ... Schelly’s superb marshaling of the bits and pieces of Kurtzmania extant into a highly readable narrative allows one to fully grasp the life and career of the genius behind some of the funniest comics ever made.” - Paul Tumey, The Comics Journal

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About the Author

Bill Schelly is an Eisner-nominated comic-book and film historian; he lives in Seattle.

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Product details

Hardcover: 464 pages

Publisher: Fantagraphics Books; 1 edition (April 28, 2015)

Language: English

ISBN-10: 9781606997611

ISBN-13: 978-1606997611

ASIN: 1606997610

Product Dimensions:

6.2 x 2 x 9.1 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

26 customer reviews

Amazon Best Sellers Rank:

#425,425 in Books (See Top 100 in Books)

This is an outstanding book, a real work of well-researched scholarship. It is also an important book, as Harvey Kurtzman should be a household name in America --- and throughout the world.Harvey Kurtzman not only created MAD (he wrote and laid-out the first 23 issues before he changed it from a comic book to the black and white humor magazine we recognize today), he introduced Terry Gilliam to John Cleese (thereby becoming one of the sparks that lit the fire known as Monty Python's Flying Circus), wrote and laid-out the very first realistic war comics (the first war comics that told the gritty truth and did not glorify war) and created "Little Annie Fanny" for Playboy, as well as the magazines Help!, Humbug and Trump. Harvey was the first to publish future ZAP! Comix cartoonists Robert Crumb and Gilbert Shelton (who were both inspired by the subversiveness of Kurtzman's humor; Harvey is considered the Godfather of Underground Comix) and played a huge role in the launching of many prominent artists' careers (including my own) and was an inspiration to legions more. One of the two highest awards in comics is named the Harvey Award (the other being the Eisner Award).The complexities that made up Harvey Kurtzman are detailed here with input from hundreds of sources. If you have any interest at all in the history of comics or the ups and downs of its greatest creators, then you won't want to miss this important book.

When I was young in the 50's I read my younger brothers copies of Mad. Then I went to art school - from 1956 to '60 where Mad was part of the visual upheave taking place - in the early 60's I had the good fortune to meet and work with the creative genius Harvey Kurtzman! Being in his company was FUN all the time as work got done. In Bill Schelly's book I learned so much more about this amazing man who's humor was totally original as he was in life. It's a wonderful book and I'm still enjoying it. Thank you Bill Schelly for honoring HARVEY KURTZMAN. I love learning more about Harvey. Anyone buying this book will love meeting Harvey and learning about his life.

For anyone who loves MAD magazine in particular, or comics in general, this is a must-read biography. Author Schelly has completed an exhaustive series of interviews with those who knew Harvey Kurtzman and combined those with his research of existing interviews with Kurtzman and others who have passed. Kurtzman changed the comics industry forever and influenced a large portion of the writers, editors and artists who are performing today. I have read many accounts of Kurtzman's life and works but this book is the first to put it all together.

Schelly gives an incredibly thorough look at the great cartoonist's life and career. A definitive look at Kurtzman.

awesome

A little more of a downer than I expected, but that was Harvey's life. Invaluable for any Kurtzman fan (and who isn't). Even after reading the book, I still wonder why his best days were at MAD comic book.

A great biography on Harvey Kurtzman and I have to say it's one of the best comic creator biographies I've read in awhile...from his early career with EC Comics to his troubles with Bill Gaines and Kurtzman's best known creation Mad, to Trump Magazine, Humbug and Help! and to Little Annie Fanny for Playboy...a great look into the trials and tribulations of creating comic books and magazines--highly recommended!

Great great great. Item was exactly as described, perfect condition and shipping was super fast.

Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor i, by Bill Schelly PDF
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Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor i, by Bill Schelly PDF

Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor i, by Bill Schelly PDF

Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor i, by Bill Schelly PDF
Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor i, by Bill Schelly PDF