PDF Ebook The Voyeur's Motel, by Gay Talese

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The Voyeur's Motel, by Gay Talese

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Review

Praise for The Voyeur’s Motel: Named a Best Book of the Year by the Daily Mail (Event Critics’ Selection) “This book flipped nearly all of my switches as a reader. It’s a strange, melancholy, morally complex, grainy, often appalling and sometimes bleakly funny book, one that casts a spell not dissimilar to that cast by Janet Malcolm’s The Journalist and the Murderer . . . Gripping . . . [Talese] lays out what he knows and does not know in sentences that are as crisp as good Windsor knots. He expresses his qualms, but trusts the reader to come to his or her own conclusions . . . An intense book.”―Dwight Garner, New York Times “Informative and intriguing . . . [I] was enlightened and entertained by The Voyeur’s Motel.”―Washington Post “This is a weird book about weird people doing weird things, and I wouldn’t have put it down if the house were on fire.”―Washington Times “Whether Gerald Foos is telling the complete truth is almost beside the point. The Voyeur is so fascinating a character―insightful, observant and amoral―that the reader becomes caught up in his story.”―Providence Journal “If you’ve ever wanted your inner voyeur to run free, vicariously at least, then The Voyeur’s Motel is for you . . . Motel delves deeply into the taboo world with no holds barred and no excuses . . . The type of unflinching New Journalism that Talese helped found three decades ago.”―Jackson Clarion Ledger “Pioneering reporter Gay Talese tells the ultimate surveillance story in The Voyeur’s Motel . . . Talese―a master of elegant, understated prose―uses an objective reportorial style to tell the voyeur’s story, and it’s the right approach for a narrative that requires no extra spice . . . An unforgettable book.”―BookPage “Foos [is revealed] as a singularly pervy, grandiose, and strangely eloquent weirdo who would be irresistible to any writer, let alone one as talented, patient, and thoughtful as Talese . . . Those seeking a uniquely discomfiting journey couldn’t find a better pair of reprobates with whom to cast their lot.”―Booklist “Undoubtedly creepy and unnerving but also an entirely compelling slice of seamy American life.”―Kirkus Reviews (starred review) “[A] truly shocking story . . . Not your typical beach book, perhaps, but you may want to read this compulsive page-turner―which raises all sorts of fascinating journalistic, moral and legal issues―under cover of an umbrella.”―Barnes & Noble Review “A provocative and compelling story.”―Midwest Book Review “Talese is a master at finding and reporting intimate matters in a clean, fine prose style so that the pages fly by. Thus the odd subject of Talese’s book is transparently manifest, without a biased or judgmental eye, all the better to reveal what Foos has done.”―Psychodynamic Psychiatry “An unsettling read . . . Foos’s notes offer a long-term glimpse into the sex lives of Americans.”―Maclean’s (Canada) “The Voyeur’s Motel . . . had me hooked . . . It’s an unsettling book, like being trapped in a hall of mirrors. The reader observes Talese observing Foos observing his guests. It might make you lose your bearings, but at the same time it’s completely mesmerising, and often darkly funny, too.”―Daily Mail (UK) (Event Critics’ Best Books of the Year) “[An] eye-popping book . . . Completely riveting from start to finish . . . Darkly comical . . . It is by turns fascinating and illuminating, very creepy and very funny, and will live in my memory long after many more doggedly accurate works have vanished into thin air.”―Mail on Sunday (UK) “A riveting page-turner . . . Short and brisk, it tells a compellingly sordid story, and Foos is one fascinating dude . . . The book is compulsively readable.”―Winnipeg Free Press

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About the Author

Gay Talese was born in Ocean City, New Jersey, in 1932, to Italian immigrant parents. He attended the University of Alabama, and after graduating was hired as a copyboy at the New York Times.After a brief stint in the army, Talese returned to the New York Times in 1956. Since then he has written for numerous publications, including Esquire, the New Yorker, Newsweek, and Harper’s Magazine. It was these articles that led Tom Wolfe to credit Gay Talese with the creation of an inventive form of nonfiction writing called “The New Journalism.”Talese’s bestselling books have dealt with the history and influence of the New York Times (The Kingdom and the Power); the inside story of a Mafia family (Honor Thy Father); his father’s immigration to America from Italy in the years preceding World War II (Unto the Sons); and the changing moral values of America in the period between World War II and the AIDS epidemic (Thy Neighbor’s Wife).Gay Talese lives with his wife, Nan, in New York City.

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Product details

Paperback: 240 pages

Publisher: Grove Press; Reprint edition (July 11, 2017)

Language: English

ISBN-10: 0802126979

ISBN-13: 978-0802126979

Product Dimensions:

5.2 x 0.5 x 8.2 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

101 customer reviews

Amazon Best Sellers Rank:

#598,127 in Books (See Top 100 in Books)

Talese, by letting so much of the story be told in the Voyeur's own words, by going into such intimate detail of the Voyeur's life, asks the question of us, the readers, Wouldn't we, if we could have gotten away with it, done the same? Talese doesn't judge. While he clearly places himself above the Voyeur culturally and intellectually, his words occasionally seething pretension, he lets the reader decide whether Gerald Foos is a reprehensible creep, or just another person who thinks nobody is watching, only following human nature.The New Yorker article, which I initially thought so fantastic it had to be a fiction, is really sufficient to tell the bulk of the tale. The book follows up, affirming that this really did happen, and that the aftermath was nil. For that purpose, the Netflix documentary does the job, and if you've seen it, and read the original article, there's not much more in the book to make it worth reading. That's not entirely true. There are some stories, told in Foos' sometimes eloquent prose, which are so fantastic as to almost certainly be fantasies. Others are written in a style much more consistent with fabrication than to contemporaneous recollection. By including these stories, without passing judgment on their veracity, Talese lets the reader's own intuition decide to what extent Foos is credible. Again, we the tables are turned, and we become the voyeurs.

I saw the documentary, which made me want to read the book. Why? The lurid life of a man snooping on his motel guests was a curiosity. What I discovered in this book is that Talese and his subject are both obsessed with the concept of voyeurism. Talese admits his life as a journalist is that of a voyeur, which makes sense, and his protagonist here is often given too much credit for being a de facto researcher obsessed with the personal lives of his guests. When the motel owner witnesses a murder in his hotel and doesn't call the police I could no longer give him credit for any of his curiosity. He chose protecting his voyeur palace over a human life. What I found most interesting was the years of being voyeur proved to the motel owner not that people's intimate lives are salacious, rather they are dreary and often unhappy in the extreme. That revelation is what redeems the book.

What a great book! I love Gay Talese's style of writing he's such a wonderful journalist. Just tells the story like it is, doesn't add his emotion into it, really great journalist. Anyway, the story was rather shocking, there were lots of moments where I was shocked and disgusted, and doesn't that make for a great book? I also watched the documentary on Netflix (which was released recently) and it was nice to see the motel owner in "person" - haha. I thought it was hilarious the motel owner considered himself a researcher. Anyway, this book was great. I loved reading all the stories and having a private peek into folks' sex lives... I guess I'm a voyeur too in a way!

This is obviously a minority opinion but I rather liked this book. The "voyeur" is a creepy guy and his attempt to make his observations sound like serious sexual research are unconvincing. His interests are prurient. However, he often makes somewhat astute comments about the people he observes. That doesn't redeem him in any way but it does make for some interesting reading. There are some discrepancies in his story but it rings true on the whole.I also found no reason to be critical of Mr. Talese's conduct. His actions were appropriate for a journalist.

A voyeur who owns a motel contacts the author (Gay Talese) and wants to tell his story. The voyeur (with his wife's permission) spends years recording on legal size paper what he saw through a vent in the ceiling. He also writes his conclusions for each entry. So this book is mostly fact, with photos of the real motel. Of all the stories, lesbian women make love the longest and have a lot of orgasms. Most married couples argue, and don't have sex. The men, in general, are insenstive trolls. When a guy screws his wife, it's mechanical and leaves her frustrated. (Just like real life???)

While I would say the story is unbelievable if true, I found it to be not believable. In any case the telling of the story is clunky. It would have been better if Talese wrote the narrative of Gerald Foos, and then wrote this book as the narrative of writing that book. Talese does a good job in his description of people, places, and events; but there just isn't enough here to justify a book. There was a share of repetition and analysis that helped to stretch the book out far enough to make me desire its final page. Talese claims to strive for factual information, but adds his own opinions and analysis. I would have preferred more factual information. I'll form my own opinion through my own analysis.

A quick read, and one of my favorite reads about human behaviour. Gerald Foos isn’t a psychologist and has no sociology training, yet his observations are still insightful and fascinating.Authenticity is questioned as some dates and stories don’t line up, but the book becomes more of an exploration of Gerald the man and Gerald the Voyeur and all the dichotomy and irony that exists in that single person, rather than the Voyeur’s accounts.On a side note, though: Sometimes it feels like Gay Talese prefers writing about Gay Talese more than he must write about Gerald Foos.

Very interesting. Controversial idea whose results should be taken into account. Valid observations.Recommended reading for all interested in the lives and behavior of common American people.

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